• L.L.Bean Pitch
    • Life is good
    • Craftsman Torque iPad Magazine
    • Club 21 Global
    • West Elm Redesign Pitch
    • Fluid Reel
    • Samsung Mobile Thr!veOn
    • Volkswagen of America
    • T-Mobile "Bold"
    • Samsung & Dreamworks: Monsters vs. Aliens 3D
    • Samsung: Dimensional Content
    • Qualcomm Wireless Life
    • Emerge Partners
    • Grow
    • Samsung: LED Red Carpet Event
    • Samsung 3D Pros
    • Plentii
    • Guilty
    • Burton Snowboards
    • Invitrogen eScience
    • Dispassion
    • Colin Ayres
    • Mancini Duffy
    • American Eagle: Just Add Color
    • Samsung.com Redesign
    • Taylormade Golf: Maybe They Knew
    • American Express MVB
    • Aflac & Nascar: Carl Edwards Garage
    • ID Society Rebrand
    • FWA Wallpaper - "Supervenio"
  • About Faction18
  • Work Experience
  • Contact
  • L.L.Bean Pitch
    A creative pitch that blended storytelling, user generated content, branded editorial and digital shopping.
    Art Direction, Creative Direction, Web Design
    2013
  • Life is good
    Lifeisgood.com was designed to be a hub of optimism, a destination that would become the definitive reflection of the Life is good brand. Life is good is primarily known as the t-shirt company that makes "those shirts with the little stick figure guy on them," but we knew they had a greater message to offer the world. Our goal: To make taking an optimistic action – sharing, donating, volunteering – irresistible to site visitors. To do this, Fluid conceptualized, designed, and built the new website with seamless transitions between content, commerce, community and charity. The new digital presence is a beautiful representation of how the company fulfills its mission of spreading optimism.

    For a deeper dive into the strategy and thinking that went into this project, Fast Company wrote an amazing story on Life is good and their mission of spreading optimism. Read it here: http://www.fastcompany.com/1842834/life-good-powered-people-fueled-optimism
    Branding, Creative Direction, Web Design
    2012
  • Craftsman Torque iPad Magazine
    For Craftsman TORQUE, we took Craftsman's vast database of branded content, added in its highly engaged community of DIY-ers and brand enthusiasts, and transformed this mix into a richly interactive, fully shoppable iPad magazine.

    Winner: FWA Mobile of the Day - January 7, 2012
    http://www.thefwa.com/mobile/craftsman-torque
    Creative Direction, Motion Graphics, User Interface Design
    2012
  • Club 21 Global
    Club 21 is an Asia-based international licensee for some of the largest and most prestigious fashion and apparel brands in the world. The design of their first-ever eCommerce site, which was rolled out to multiple regions throughout Southeast Asia, was part of a larger strategy to build the Club21 brand into a bigger presence in some of the globes wealthiest regions.
    Creative Direction, Fashion, Web Design
    2012
  • West Elm Redesign Pitch
    West Elm approached Fluid to pitch a redesign of their ecommerce experience, including the visual design and a major UX/UI overhaul. Excited by the prospect of designing a site for one of our favorite brands, we went about completely re-imagining what the catalog shopping experience could be online. In the end, we didn't win the business but we came up with some amazing ideas and a killer design presentation and earned us quite a bit of respect from the client.
    Art Direction, Creative Direction, Web Design
    2012
  • Fluid Reel
    Fluid's 2012 reel is a visual celebration of the work that we're most proud of from the past year. It features a cross-section of world class clients like The North Face, Sears, Craftsman, Clavin Klein, Elie Tahari, and more, that span a wide range of industries from high-end fashion and apparel brands to consumer goods and technology.
    Animation, Creative Direction, Motion Graphics
    2012
  • Samsung Mobile Thr!veOn
    Developed around the central idea of "You Are What You Share" - Thr!veOn is part social game, part Facebook app, and part brand platform.

    The Social Game:
    The idea behind Thr!veOn is to reward people for what they're already doing - sharing their lives on Facebook - while giving them a fun and engaging platform on which to do it.

    The App:
    Thr!veOn collects all of your Facebook activity and organizes it into clusters. From there, users are treated to a rich interactive visualization of their online selves, where they can categorize their content, earn medals, reveal promotions, check their progress against their friends via the leaderboard, and explore a virtual timeline of their Facebook content .

    The Brand Platform:
    As users engage with the Thr!veOn experience, they are also engaged with the Samsung Mobile brand.Thr!veOn enables Samsung Mobile to roll out new features, promotions, and products at any time. These aspects are integrated directly into the game in a non-intrusive way, making it an ideal arena for testing out consumer responses.
    Advertising, Creative Direction, User Interface Design
    2012
  • Volkswagen of America
    Screens from the 2006-2007 redesign and launch of the Volkswagen of America web site. I was super lucky to work on this project as a Sr. Designer at Domani Studios, and got to work with a ton of talented folks from Crispin Porter + Bogusky during the process. It's still one of my favorite projects, and I still think it was one of, if not the best automotive website launched during that time period.
    Art Direction, Web Design
    2012
  • T-Mobile "Bold"
    Motion stills from a brand exercise done for T-Mobile. The idea was for each person on the team to choose one of T-Mobile's brand attributes and create a storyboard from it. I chose "Bold" and went about designing a visually rich, striking set of of style frames that combined the breadth of T-Mobile's product offering with the visual richness of their brand language.
    Animation, Art Direction, Motion Graphics
    2012
  • Samsung & Dreamworks: Monsters vs. Aliens 3D
    A huge part of Samsung's 3D LED TV launch was their global content partnership with Dreamworks. By partnering with Dreamworks globally, Samsung was able to offer a complete 3D home entertainment experience far earlier than any of its rivals could.

    This particular part of the global 3D LED TV launch campaign focused on merging Dreamworks characters and content with Samsung's technology and hardware, and presenting everything in an easy to understand way to consumers - particularly early adopters. The use of Papervision 3D brought the largely still content to life in a fun and compelling way, reinforced the 3D aspect of the product, and even mimics the parallax effect of true inter-ocular 3D.

    By far, the most challenging thing about this campaign and microsite was the regional aspect of the design: the entire site was translated and rolled out regionally in over 30 countries, so everything from the visual design to the back-end content management had to scale easily. No easy feat, but we got it done.
    Advertising, Art Direction, Web Design
    2012
  • Samsung: Dimensional Content
    Initial designs for the 2010 digital launch campaign of Samsung's 3D LED TVs. One of the biggest challenges to the campaign was the perceived lack of available 3D content on the part of the consumer. Knowing that overcoming that perception would be critical to the success of the launch, we focused our concept around the idea of "dimensional content" and the abundance of available 3D entertainment options.

    This approach, rather than focusing on 3D technology itself (which has been around in various forms for well over 50 years), helped differentiate Samsung's offering from their competitors by directly tying the excitement and availability of 3D content to consumer's entertainment preferences.

    Out of 280,000 3D TVs sold in the first quarter of 2010, Samsung sold over 200,000 of them and instantly claimed the market-leader position.
    Advertising, Art Direction, Storyboarding
    2012
  • Qualcomm Wireless Life
    Qualcomm Wireless Life was a digital campaign that ran during 2009. The goal was to introduce the world to the new class of Qualcomm's mobile processors that would soon be powering some of the most successfully adopted and technologically advanced products ever launched (iPhone, iPad, Android hand sets, etc.) The concept was centered around 3 different yet intertwining stories, and showed the potential of how people spanning from college kids to professionals to academics could harness and use Qualcomm's mobile technology to be more productive while enriching their lives.
    Art Direction, User Interface Design, Web Design
    2012
  • Emerge Partners
    A collection of various branding and collateral assets I worked on as the Sr. Art Director and Studio Director of Emerge Partners, a digital creative agency.
    Art Direction, Branding, Print Design
    2012
  • Grow
    "Grow" is a typographic design that I created for a family album book cover.
    Art Direction, Typography
    2012
  • Samsung: LED Red Carpet Event
    Motion stills and pitch comps for Samsung's 2011 Red Carpet Event site and content portal. Even though the strategic direction of this assignment changed and these weren't produced, I love the way that everything turned out.
    Advertising, Art Direction, Web Design
    2012
  • Samsung 3D Pros
    3D Pros was a massive, multichannel campaign designed with one goal in mind - educate the public about the coming wave of 3D content through the lens of Samsung's hand-selected 3D Pros. The 3D Pros were some of the top names in movies, gaming, sports, and animation, and their authority and deep knowledge were the main drivers of this campaign and all of the content created around it. Our "host" was the amazingly talented Henry Dittman.

    All in all, we shot and edited 38 videos of five different pros across the entire country from New York to California and back. The videos were housed on a 3D Pros YouTube channel, and were embedded into the microsite that formed the "hub" of the campaign. The microsite also included a drag and drop Google Map where users could "pin" places (like bars, stores, or other venues) where they'd seen a Samsung 3D TV. Each pro had their own Twitter handle and Facebook presence, and we crafted a 6 month long social media calendar to build anticipation and excitement leading up to CES in January 2011.
    Advertising, Art Direction, Web Design
    2012
  • Plentii
    Plentii was a startup that aimed to upend the status quo as it related to personal finance for Generation Y. I helped design and animate video content bumpers for the site launch.
    Animation, Motion Graphics
    2012
  • Guilty
    I designed this piece for a Toca Me designe competition in 2008. The quote is a lyric by the band A Wilhelm Scream from their song "The King Is Dead" -

    "I traded my life for art, and the guilt is weighing down my arms."
    Digital Art, Drawing, Typography
    2012
  • Burton Snowboards
    Various screens from a design prototype of a video-driven interactive board finder for Burton Snowboards.
    Art Direction, Web Design
    2012
  • Invitrogen eScience
    Interactive kiosk and video for the launch of Invitrogen's eScience suite of tools.
    Art Direction, Digital Art, Motion Graphics
    2012
  • Dispassion
    Dispassion is a personal project themed around the exploration of the obvious.
    Art Direction, Graphic Design, Motion Graphics
    2012
  • Colin Ayres
    Designs for Colin Ayres portfolio site, circa 2005.
    Art Direction, Typography, Web Design
    2012
  • Mancini Duffy
    To help this full service interior design and architecture firm stand out from all the rest, we chose to focus on its people. What you see on the outside isn’t always what you get on the inside so it’s important to examine both sides to get the big picture. The same holds true with Mancini Duffy and this concept of interior vs. exterior comes to life throughout the Web site experience.
    Art Direction, Photography, Web Design
    2012
  • American Eagle: Just Add Color
    These screens were part of a pitch presented to American Eagle Outfitters during my time at Firstborn. They were an interpretation, and digital extension of the"Just Add Color" campaign that was set to launch in stores and on TV.
    Art Direction, Web Design
    2012
  • Samsung.com Redesign
    Select screens from the 2009-2010 redesign of the global Samsung.com brand platform.
    Art Direction, Web Design
    2012
  • Taylormade Golf: Maybe They Knew
    "Maybe They Knew" was a digital campaign designed to promote the launch of Taylormade Golf's first-ever golfballs (they'd only made clubs until then). Through the use of dramatic photography, selective focus, and sound, we crafted a narrative that was both intriguing and informative. The underlying tension of the campaign was the idea that because "they" knew Taylormade was developing the most technically advanced golf balls in the world, "they" decided they'd need to design tougher, more physically grueling golf course designs to level the playing field.
    Advertising, Web Design
    2012
  • American Express MVB
    American Express MVB was a pitch for Amex's OPEN card, created to engage with small business owners by making them the protagonists of the campaign. The goal was to present MVB's (most valuable business owners) as smart, savvy all stars at the game of "earning and burning" Membership Rewards points.
    Advertising, Art Direction
    2012
  • Aflac & Nascar: Carl Edwards Garage
    Pitch screens for an Aflac/Nascar co-campaign centered around the idea of a first person exploratory/gamified experience of Carl Edwards' Garage.
    Art Direction
    2012
  • ID Society Rebrand
    Screens from the 2008-2009 rebrand of ID Society. Unfortunately this site never went live due to multiple factors, but the team had a great time working on all of the design and animation during the proof-of-concept phase.
    Animation, Art Direction, Branding
    2012
  • FWA Wallpaper - "Supervenio"
    A fun little wallpaper I designed for the FWA a few years back.
    Art Direction, Digital Art
    2012
All content © Michael Janiak 2013.
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